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Three stories happening in New York. The first, by Scorsese, is about a painter who creates his works helped by high volume music and an attractive assistant; second, by Coppola, is about a rich and bold 12 years old who helps her separated parents to reconciliate; third, by Allen, is a witty piece of comedy about the impossibility of getting rid of the son’s role.
An estranged family gathers together in New York for an event celebrating the artistic work of their father.
New York Times reporters Megan Twohey and Jodi Kantor break one of the most important stories in a generation — a story that helped launch the #MeToo movement and shattered decades of silence around the subject of sexual assault in Hollywood.
Directed by two-time Grammy nominee D. Smith, KOKOMO CITY takes up a seemingly simple mantle — to present the stories of four Black transgender sex workers in New York and Georgia. Shot in striking black and white, the boldness of the facts of these women’s lives and the earthquaking frankness they share complicate this enterprise, colliding the everyday with cutting social commentary and the excavation of long-dormant truths. Accessible for any audience, unfiltered, unabashed, and unapologetic, Smith and her subjects smash the trendy standard for authenticity, offering a refreshing rawness and vulnerability unconcerned with purity and politeness.
The stories of an ensemble of staff and guests at the charming Hotel Fontaine in New York City during Christmastime. The work and personal life of Georgia — an ambitious young woman and the manager of the high-end hotel — become entangled when she is caught between the charming hotel chef Luke and a sophisticated ex-prince staying at the hotel.
In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.
New York Times reporters Megan Twohey and Jodi Kantor break one of the most important stories in a generation — a story that helped launch the #MeToo movement and shattered decades of silence around the subject of sexual assault in Hollywood.
Alex, a boy obsessed with scary stories, is trapped by a witch in her modern, magical New York City apartment. His original hair-raising tales are the only thing keeping him safe as he desperately tries to find a way out of this twisted place.
Meet the men and women who make their living cleaning our shoes. From New York to Tokyo and beyond, The Art of the Shine travels the world to give you an insider’s view of this overlooked profession. People around the world have turned to shoe shining to provide for themselves and their families. These are their stories.
Wife and mother Valerie Plame (Naomi Watts) has a double life as a CIA operative, hiding her vocation from family and friends. Her husband, Joseph Wilson (Sean Penn), writes a controversial article in The New York Times, refuting stories about the sale of enriched uranium to Iraq, Then Valerie’s secret work and identity is leaked to the press. With her cover blown and other people endangered, Valerie’s career and personal life begin to unravel.
When autistic teen Ricky is scolded for skipping class, he escapes into the subway for a days-long odyssey among the subway’s disparate denizens. Meanwhile, his mother wages an escalating search effort above ground. Based on a true story and set in Far Rockaway, Queens, in the days leading up to Hurricane Sandy, these parallel stories of mother and son take the viewer on a touching journey of community and connection in and below New York City.
Below the streets of New York is a dark and dangerous world hidden in the shadows of abandoned subway tunnels and miles of forgotten infrastructure. When a young documentary filmmaker goes into these tunnels to uncover the unseen stories of the people living below our feet, she finds out that there is more to be afraid of than the dark. A mysterious figure, living beyond the reach of the law, has declared war on the outside world that threatens to tear apart the fragile underground society living in the tunnels and maybe even the city above it.
A young and devoted morning television producer is hired as an executive producer on a long-running morning show at a once-prominent but currently failing station in New York City. Eager to keep the show on air, she recruits a former news journalist and anchor who disapproves of co-hosting a show that does not deal with real news stories.
Here and There (Serbian: Tamo i ovde) is a Serbian film which was premiered at the Belgrade Film Festival FEST 2009. Here and There follows two interconnected stories on two different continents. Robert (Thornton), a depressed New Yorker, tries to make quick cash and ends up in Serbia, where instead of money he finds his soul. At the same time, a young Serbian immigrant, Branko (Trifunović), struggles in an unforgiving New York, desperately trying to bring his girlfriend from Serbia to the United States. Mirijana Karanović plays Branko’s mother.
25 years after Paris is Burning, we dive back into the fierce world of voguing battles in the Kiki scene of New York City, where competition between Houses demands leadership, painstaking practice, and performances on point. A film collaboration between Kiki gatekeeper, Twiggy Pucci Garçon, and Swedish filmmaker Sara Jordenö, we’re granted exclusive access into this high stakes world, where tough competitions act as a gateway into the daily lives of LGBTQ youth of color in NYC. The new generation of ballroom youth use the motto, “Not About us Without Us”. Twiggy and Sara’s insider-outsider approach to their stories breathes fresh life into the representation of a marginalized community who demand visibility and real political power.
New York Times Best Seller and “Chelsea Lately” regular, Sarah Colonna, has some stories to tell and she doesn’t care what you think. From how to get out of jury duty to online dating, Sarah does not disappoint in this new special.
This gripping end-times drama follows the people in a small Arizona city in the aftermath of a national disaster. When a nuclear bomb is detonated in New York City, survivors across the country are forced to confront their hopes, fears, and faith. Not knowing what could happen next, they deal with the mounting tensions in various ways. Their intimate, intertwining stories intensify the drama of frantic phone calls, chaotic traffic jams, relentless news coverage, and tragic actions until they realize how precious life is and that God is the only hope for mankind.
With a career spanning decades Photographer Rose Hartman is known for her iconic photos from Studio 54 and the fashion world, her boisterous personality, and ever presence capturing the New York social scene. The film follows Rose through her life of entrée as she put the lives of the glamorous and famous on film that serves as one of the few visual histories of NYC.
Girl Power is a documentary that presents female graffiti writers from fifteen cities – from Prague to Moscow, Cape Town, Sydney, Biel, Madrid, Berlin, Toulouse, Barcelona and all the way to New York. The graffiti community is predominantly a man’s world, and men often share the view that graffiti – namely the illegal kind – is not for girls. And yet women have become increasingly more emancipated in recent years; there are female graffiti shows, magazines and websites. Girl Power captures the stories of ladies who have succeeded in the male graffiti world.
Hard-hearted New York novelist Dru Cassadine…known for her holiday romance stories (even though she is antilove and anti-Christmas)…is desperate to get her mojo back after a string of flops (and a not-so-subtle threat by her publisher that he’ll drop her if she has another failure). She decides that a change of scenery might get her creative juices flowing and heads south for the winter, landing in a place known as Harbor Pointe. She doesn’t quite get what she came for. She gets much more.
Based on the life stories of the eccentric aunt and first cousin of Jackie Onassis raised as Park Avenue débutantes but who withdrew from New York society, taking shelter at their Long Island summer home, “Grey Gardens.” As their wealth and contact with the outside world dwindled, so did their grasp on reality.
